Revolutionary Communist
The Truth about the Cultural
Revolution
http://revcom.us/a/139/STRS-en.html
The Great
Proletarian Cultural Revolution of 1966-1976 was a mass revolutionary upsurge
involving hundreds of millions of people. It was a kind of “revolution within
the revolution.”
In 1949,
By the
mid-1960s, the top capitalist-roaders (so called because they were high-ranking
Party leaders who used a watered-down Marxism to justify taking
Far from
being a “palace power struggle,” the Cultural Revolution was a profound and
intense struggle over the direction of society and over who would rule society:
the working people or a new bourgeois class.
Mao and the
revolutionary forces in the Communist Party mobilized people to rise up to
prevent capitalist takeover and to shake up the higher levels of the Party that
had become increasingly cast in a bourgeois-bureaucratic mold.
But the Cultural Revolution was much more than that. The masses were carrying
forward the revolutionary transformation of the economy, social institutions,
culture, and values and were revolutionizing the Communist Party itself. This
is what Mao called continuing the revolution under the dictatorship of the
proletariat.1
But was
this really a popular upheaval? Mostly what you hear was that it was a
terrifying “cleansing” of society.
The
Cultural Revolution was not about “round-ups,” people being sent to “forced-labor camps,” or “totalitarian group-think.” The methods of
the Cultural Revolution were quite different. Workers, peasants, and people
from all walks of life engaged in mass criticism of corrupt officialdom. They
engaged in great debates about economic policy, the educational system,
culture, and the relation between the Communist Party and the masses of people.
Mao wasn’t interested in “purges.” He was calling for mass action from below to
defeat the enemies of the revolution. Here are some examples of how the
Cultural Revolution was waged.
The Red Guards. Millions of young people formed into these political brigades. They
criticized government and party leaders taking society down the capitalist
road. They called out elitist practices in the universities. They roused
workers and older people to lift their heads and to question and challenge
reactionary authority and policies. They traveled to
the countryside to spread the movement and to learn about the conditions of the
peasantry.
“Big-character posters.” These handwritten posters went up on the walls of schools, factories,
and neighborhoods. They were an incredible expression
of public criticism of policies and leaders. Paper and ink were provided free
of charge. Accessible to everyone, they gave an immediate platform for debate.
Over 10,000 kinds of newspapers and pamphlets were published by ordinary people
in
Overthrowing
capitalist-roaders and creating new power structures from below. 40 million
workers in
Wasn’t
great violence perpetrated during the Cultural Revolution, with many innocent
people suffering?
Standard
Western accounts suggest that violent attacks on people and physical
elimination of opponents had the official blessings of Mao—and that, policy or
not, thuggish violence was widespread. Both of these claims are utterly false.
Mao’s
orientation for the Cultural Revolution was clearly spelled out in official and
widely publicized documents. In the Sixteen Point Decision, it was stated:
“Where there is debate, it should be conducted by reasoning and not by force.”3
Other Maoist policy statements gave further direction. For instance, Red Guards
were not allowed to carry weapons or to arrest or try anyone.
Mao called
on the masses to “bombard the headquarters” and overthrow the handful of
capitalist-roaders who were trying to lead society back into the clutches of
capitalism. These were overwhelmingly political uprisings. Mass debate, mass
criticism, and mass political mobilization—these were the main forms of class
struggle during the Cultural Revolution. Party and administrative officials at
all levels were given the opportunity to reform and participate in the struggle
(and no more than 3% of cadre were even expelled from the Party—not exactly a
draconian purge).
Was there
violence? Yes, there was. This was intense and turbulent class struggle. In an
unprecedented mass movement of this scale (we’re talking about 30 million young
activists alone), in a country of this size (800 million at the time), it would
be hard to imagine otherwise. And it is inevitable that any great social
movement that rights injustices is going to lead to some excesses. But three
points must be stressed.
First, the
violence that did occur was limited and sporadic—it involved only a minority of
the movement.
Second,
where harmful trends persisted on the people’s side—for instance, Red Guard
students physically attacking people or humiliating officials, or people using
the movement to settle personal scores and grievances—these things were
criticized, condemned, and struggled against by the Maoist leadership. Take one
crucial episode of the Cultural Revolution that you seldom hear about. In
Third, much
of the violence that occurred was in fact fanned by high-ranking
capitalist-roaders seeking to defend their entrenched positions. When they came
under sharp criticism, one of their tactics was to mobilize groupings of
workers and peasants to attack sections of people in the name of the Cultural
Revolution. They even created their own conservative Red Guard formations that
went on rampages! This was part of their effort to deflect the struggle away
from themselves and to discredit the Cultural Revolution.
These
capitalist-roaders eventually succeeded in overthrowing proletarian power in
1976. And speaking of reactionary violence, they were the ones who turned the
army loose on protesting students and workers at
What about
the treatment of artists and intellectuals and the policy of sending people to
the countryside?
Artists,
intellectuals, and professionals were not targeted as a social group or
stratum. Artists were encouraged to engage in the revolutionary movement. This
included carrying out self-examination of how their works either advanced the
revolution or held it back, and viewing their work in the context of the
struggle to create a new society. The Cultural Revolution was aiming to foster
revolutionary art that would portray the masses and help the masses propel
history forward.
One of the
objectives of the Cultural Revolution was to break down the cultural
lopsidedness that existed in
Artists,
doctors, technical and scientific workers, and all kinds of educated people
were called upon to go among the workers and peasants: to apply their skills to
the needs of society, to share the lives of the laboring
people, to exchange knowledge, and to learn from the basic people. Great
numbers of youth and professionals answered Mao’s call to “serve the people”
and go to the countryside.
Now for
social change to take hold, it was also necessary to institutionalize new
social policies. For instance, high school graduates were required to spend at
least two years in rural villages or factories before being considered for
college. So there was an element of coercion (policies were enforced)—but would
you object to school desegregation because it was mandated? And for many
intellectuals, abandoning privilege and integrating with the masses in the
countryside was a tremendous experience.5
Attacks on
the Cultural Revolution for “ruining lives” and “destroying careers” are really
taking issue with the Cultural Revolution’s radical, anti-elitist social
policies.
It is often
alleged that the policy of sending doctors and engineers and intellectuals and
other skilled people to the countryside was “punishment.” No, it was not. This
policy has to be seen in a larger social-economic context of Maoist China’s
quest to achieve balanced and egalitarian development. In the Third World,
there is a crisis of chaotic urbanization and distorted development: overgrown
and environmentally unsustainable cities with rings of squalid shantytowns;
massive inflows of rural migrants who cannot find work; economic policies,
educational systems, and health care infrastructure skewed to the well-off in
the cities at the expense of the urban poor and the countryside.
Maoist
But I’ve
read or heard about many first-hand accounts of the Cultural Revolution that
describe great personal agony.
Different
social classes and their literary representatives have very different
conceptions of what’s “right” and what’s “wrong,” of what’s “horrible” and
what’s “liberating.” The fact that someone “lived through an
event” doesn’t change this in the slightest, or necessarily give him or her
special insight.
Many
privileged urban-professionals in
Think about
it for a second. What kind of understanding of the French Revolution would you
gain from someone who was part of the old aristocracy? What would you learn
about the U.S. Civil War from a member of the plantation gentry? Or about the
struggle today around affirmative action in education from a white person who
describes his “persecution” when he was skipped over for admission to his law
school of choice? It stands to reason that such “eyewitness accounts” would be
deeply biased against social change.
It’s no
different for the Cultural Revolution. More privileged social forces see, and
distort, the Cultural Revolution through a particular social lens. This is not
to say there’s nothing that can be learned from any of these works, or that no
mistakes were made in how some people were treated. But these highly personal
narratives greatly misrepresent the actual events, the mass movement, and the
main trends of the Cultural Revolution. They obscure the class interests and
social programs that were in real opposition and conflict.
Can you
point to real accomplishments of the Cultural Revolution?
First and
foremost, the Cultural Revolution succeeded in maintaining proletarian rule and
preventing capitalist takeover in
Education.
The
universities instituted open enrollment: by the early
1970s, worker and peasant students made up the great majority of the university
population. Educational resources were vastly expanded in the rural areas: for
instance, middle-school enrollment rose from 15 to 58
million!6 The charge that the Cultural Revolution was
a “wasted decade” in education is a gross distortion, and another example of
class prejudice.
Culture.
“Model revolutionary works” in opera and ballet put new emphasis on workers and
peasants and their resistance to oppression (in place of old imperial court
dramas). Western techniques were integrated with traditional Chinese forms, and
many new performance works brought forth powerful depictions of revolutionary
women that challenged patriarchal relations. There was an explosion of
creativity among the masses: short stories, poetry, paintings and sculpture,
music and dance. Cultural troupes and film units multiplied in the countryside.
Between 1972 and 1975,
Economic management. In factories and other workplaces, traditional forms of “one-man
management” were dissolved. New “three-in-one” combinations of rank-and-file
workers, technicians, and Communist Party members took responsibility for
day-to-day management of factories and other types of work. Workers spent time
in management and managers spent time working on the shop floor.8
Science
conducted in new ways. “Open-door research” was introduced: research institutes
were spread to the countryside and involved peasants; technical laboratories
literally opened their doors to workers; and universities set up extension labs
in factories and neighborhoods. Popular primers made
scientific knowledge available to the masses.9
In conclusion:
The
Cultural Revolution was an historic event without precedent. In a situation in
which a socialist system had been established, Mao and the revolutionaries in
the Chinese Communist Party mobilized the activism and creativity of the masses
to prevent the restoration of the old order and to carry forward the socialist
revolution towards communism: the elimination of classes and all oppressive
relations. History has never seen a mass movement and struggle of such scale
and guided by such revolutionary politics and consciousness. History has never
seen so radical an attempt to transform economic relations, political and
social institutions, and culture, habit, and ideas.
Were there
mistakes and shortcomings in the Cultural Revolution? Yes, even some serious
ones. But viewed in the context of its enormous achievements, and certainly set
against the horrors of capitalist society, these are secondary.
But the
communist revolution cannot stand still. It has to critically learn from its
experience, not fear to interrogate itself, and advance further and do better.
Bob Avakian has been providing the pathbreaking Marxist-Leninist-Maoist understanding to do
just that.
Bob Avakian has been bringing forward a vibrant vision of
socialism and communism. He has been enlarging the understanding of the tasks
and contradictions of revolutionary leadership and how the masses can be
unleashed to rule and transform society. He has been speaking to the
indispensable role that dissent plays in socialist society, especially in
contributing to the critical spirit that must permeate all of society. He has
drawn attention to the importance of the intellectual and cultural spheres
under socialism and that socialist society needs—and must foster—great
intellectual ferment, creativity, and experimentation.10
If you
hunger for a different kind of world…you need to explore the truth of the
Cultural Revolution…you need to explore the visionary writings of Bob Avakian.
Footnotes:
1 See Bob Avakian, Mao Tsetung’s
Immortal Contributions (Chicago: RCP Publications, 1979), chapters 6 and 7.
2 Mobo C. F. Gao,
“Debating the Cultural Revolution: Do We Only Know What We Believe,” in
Critical Asian Studies, Vol. 34, No. 3, (2002), p. 428.
3 “Decision of the Central Committee of the Chinese Communist Party
Concerning the Great Proletarian Cultural Revolution” (Adopted on August 8,
1966), in Important Documents on the Great Proletarian Cultural Revolution in
4 Han Suyin, Wind in the Tower (Boston: Little, Brown, 1976),
Part II, chapters 3-5.
5 See, for
example, Xueping Zhong, et. al., Some of Us: Chinese Women Growing Up in the Mao Era
(
6 Dongping Han, The Unknown Cultural Revolution: Educational
Reforms and Their Impact on China’s Rural Development (New York: Garland
Publishing, 2000), p. 88; Suzanne Pepper, “Education,” in Roderick Mac–Farquhar
and John K. Fairbank, eds., The Cambridge History of China, Vol. XV (Cambridge:
Cambridge Univ. Press, 1991), p. 416; Ruth Gamberg, Red
and Expert: Education in the People’s Republic of China (New York: Schocken, 1977).
7 Gao, “Debating the Cultural
Revolution,” pp. 427-430. Gao,
who participated in the Cultural Revolution, describes the impact of the new
culture in villages like his: “The rural villagers, for the first time,
organized theater troupes and put on performances
that incorporated the contents and structure of the eight model
8 See
Stephen Andors,
9 See
Science for the People,
10 See, for
instance, Bob Avakian, “Grasp Revolution, Promote
Production—Questions of Outlook and Method”; “Reaching for the Heights and
Flying Without a Safety Net”; and “Dictatorship and
Democracy, And the Socialist Transition to Communism,” all available online at
rwor.org.